|
For William Shakespeare’s Birthday . . .  Illustration: J. & W. Beggarstaff (1894) (You can listen to more of my Carl Sandburg readings here.)
0 Comments
“ . . . through the gloom and the light, The fate of a nation was riding that night.”  Illustration: Charles G. Bush (1867) “It was just a week to the day since Mr. Martin had decided to rub out Mrs. Ulgine Barrows.”  “The pounding of the cylinders increased: ta-pocketa-pocketa-pocketa-pocketa-pocketa.”  “Once upon a starless midnight there was an owl who sat on the branch of an oak tree.”  “They had been driving since morning and they still had a hundred and thirty miles to go.”  “Down – steadily down it crept.”  Illustration: Harry Clarke (1919)
(You can hear my readings of Poe’s poetry at this link.)
 Illustrations: Edmund Dulac (1912) (You can hear my readings of a selection of Poe’s tales at this link.)
“ . . . I think that of Saint Patrick’s Day, Saint Patrick hadn’t heard.”  From “Good Intentions” (1942)
“In the room the women come and go Talking of Michelangelo.”  Illustrations: John Leech (1843)
“A bunch of the boys were whooping it up in the Malamute saloon . . . ”  “For auld lang syne.”  For Halloween: Mister Poe's onomatopoetic masterpiece . . .  Illustration: Edmund Dulac (1912) “An’ the gobble-uns ’ll git you . . . Ef you . . . Don’t . . . Watch . . . Out!”  Illustration: Ethel Franklin Betts (1906) “No memory of having starred atones for later disregard . . . "  (You'll find my reading of Frost's Mending Wall by clicking on the link.)
For Halloween: A classic horror story from Mister Poe . . .  Illustration: Harry Clarke (1919) “There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it.” (From “Alice’s Adventures in Wonderland”)  Illustration: Arthur Rackham (1907) From Stave II of Dickens’ classic . . . Ebenezer Scrooge and The Ghost of Christmas Past visit some old friends.  Illustration: John Leech (1843) (You can hear my reading of Scrooge’s encounter with Marley’s Ghost here.)
A little dark humor from the Master of the Macabre . . .  Arthur Rackham: A Bargain With the Devil (1907) Hans Christian Andersen’s timeless tale . . .  Illustration: Edmund Dulac (1911) A selection from Dickens' classic . . .  Illustration: John Leech (1843) For Halloween: Robert Burns’ classic story of witches and warlocks . . . and a mare’s tail.  Illustration: John Faed (1855) Note: While this poem is technically in English, a short summary with a few “translations” may be in order. (A quick Google search should supply further details.)
Here goes . . . One dark and stormy night, following an evening’s revelry with his pal “Souter (cobbler) Johnie” by the fireside (“ingle”) of the Lord’s House Inn at Ayr, and fortified by the landlady (“Kirkton Jean”) with many draughts of ale (“nappy” or “reaming swats”), our hero Tam, with his faithful mare Maggie, ventures forth on his long road home (“hame”). As he nears the end of his journey, and approaches the bridge over the River Doon (“brig o’ Doon”), his path takes him by the ruins of the old haunted church (“kirk”) at Alloway, where Tom observes a gathering of warlocks and witches (“carlins”) dancing about in their nightshirts (“sarks”) to the tune of the piper - none other than “Auld Nick” himself, in the shape of a large shaggy dog (“towzie tyke”) at the window seat (“winnock bunker”). Tam’s attention is riveted by the dancing and capering - and rather short nightshirt (“cutty sark”) - of Nannie, a particularly “winsome wench”. As the festivities reach their peak, Tam can no longer contain his admiration as he roars out his approval: “Weel done, cutty-sark!” Mayhem ensues. Nannie and the “hellish legion” give chase, while Tam and Maggie make a mad dash for the keystone (“key-stain”) of the bridge, hoping to reach the safety of the other side. (“A running stream they dare na cross.”) . . . and thereby hangs a tail. “Something there is that doesn’t love a wall . . . ”  |
